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Public priestess of venus in pompeii during the middle of the 1st century ad
The basics
Date of death 100
The details

Eumachia was the public priestess of the Imperial cult in Pompeii during the middle of the 1st century AD as well as the matron of the Concordia Augusta. The Concordia Augustus was an imperial cult initiated by Livia, widow of Augustus, dedicated to the Divus Augustus, the deified emperor Augustus.

Family history and significance

The daughter of Lucius (Eumachius), she is reported to have obtained her great wealth in her own right as a very successful matron. Of inconsequential origin, she sought a higher social status by marrying into one of the older families of Pompeii. Eumachia was also known as the matron of the fullers, an economically significant guild in Pompeii which consisted of dyers and clothing-makers. Eumachia's importance in Roman history stems from how she is seen as a prime example of how a Roman woman of non-imperial descent could become involved in public affairs. She is also viewed as a model for the increasing involvement of women in politics, using the power of a public priestess for social mobility.


Ruins of the building funded by Eumachia, with portions of the inscription visible on the horizontal light-colored stone

Using her wealth and status, Eumachia funded the construction of a large building next to the public forum in Pompeii. This is an example of the idea of euergetism, the socio-political phenomenon of voluntary gift-giving, which exerted an influence on the wealthy people of her time period.

The presumed use of this building was to serve as the headquarters for the fullers’ guild, although its exact use is uncertain. She dedicated this building, known as the Building of Eumachia, to Concordia Augusta and to Pietas. In addition, statues of Tiberius, the emperor during her life, and Livia, his mother, were found on this inside, along with inscriptions on the outside of the building which included dedications to them. Finally, she dedicated the building to her son, Marcus Numistrius Fronto.


The statue of Eumachia on display at the British Museum in 2013

In response to her generosity, and symbolic of her power and social status, the fullers built a statue depicting Eumachia in the veiled form of a priestess. They inscribed into its foundation a dedication. The rough translation of this inscription is: "to Eumachia, daughter of Lucius, public priestess of Pompeian Venus, from the fullers." See Corpus Inscriptionum Latinarum: "EVMACHIAE L F SACERD PVBL FVLLONES,” .

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