

Introduction
Rodrigo Prieto (born November 23, 1965) is a Mexican cinematographer. He has been associated as the lead cinematographer for Martin Scorsese and Alejandro González Iñárritu, among other directors.
Life and career
Rodrigo Prieto was born in Mexico City, Mexico. His grandfather, Jorge Prieto Laurens, was the mayor of Mexico City and leader of the Chamber of Deputies of Mexico, but was later persecuted by the country's ruler because of political differences. Prieto's grandfather escaped with his family to Texas and then to Los Angeles. There, Prieto's father would spend most of his childhood. Prieto's father studied aeronautical engineering at New York University, where he met and married Prieto's mother, an art student. Rodrigo Prieto graduated from Centro de Capacitación Cinematográfica in Mexico City. Prieto has become an established cinematographer, working with such names as Spike Lee (25th Hour), Curtis Hanson (8 Mile), Ang Lee (Brokeback Mountain and Lust, Caution) and Pedro Almodóvar (Broken Embraces). Nonetheless, his political legacy still has a visible effect on his career. In 2002, Prieto shot Frida, a film about Frida Kahlo, a communist Mexican artist. In 2003, Prieto cooperated with Oliver Stone in two documentary projects: Comandante, about Fidel Castro, and Persona Non Grata, about Yasser Arafat. In 2004, Prieto shot Alexander for Stone. Prieto also worked with Alejandro González Iñárritu on the acclaimed Amores perros, 21 Grams, Babel and Biutiful.
Prieto is noted for his unconventional use of the camera often combined with strong moody lighting. In 25th Hour, Prieto utilized overexposure and other techniques to create original dream-like images to signify that the events shown on screen are memories or visions. Similarly innovative photography could be spotted in Frida, featuring strong colors and sharp imagery blended with atmospheric yellows and browns, as well as his experimental use of infrared during a battle scene in Alexander. Prieto also is interested in evoking naturalism, most evident in The Homesman and Brokeback Mountain. Prieto not only shot Brokeback Mountain, for which he was nominated for an Academy Award for Best Cinematography, but appeared in a cameo role within the film as a Mexican gigolo whom Jake Gyllenhaal's character, Jack Twist, meets.
Prieto has most recently formed an artistic collaboration with Martin Scorsese; first on The Wolf of Wall Street, Silence, for which he garnered his second Academy Award nomination for Best Cinematography, and most recently The Irishman, released in November 2019. In December 2019, Prieto announced that the shooting schedule for Scorsese's upcoming film Killers of the Flower Moon would start as reported in March 2020.
Personal life
Prieto resides in Los Angeles, California with his wife Monica and daughters Maria Fernanda and Ximena.
Awards and Nominations
Academy Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2006 | Brokeback Mountain | Best Cinematography | Nominated |
| 2017 | Silence | Nominated | |
| 2020 | The Irishman | Nominated |
BAFTA Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2006 | Brokeback Mountain | Best Cinematography | Nominated |
| 2007 | Babel | Nominated | |
| 2020 | The Irishman | Nominated |
American Society of Cinematographers Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2003 | Frida | Outstanding Achievement in Cinematography | Nominated |
| 2006 | Brokeback Mountain | Nominated | |
| 2017 | Silence | Nominated | |
| 2020 | The Irishman | Nominated |
Other awards
Ariel Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 1996 | All of Them Witches | Best Cinematography | Won |
| 1999 | Fibra Óptica | Nominated | |
| Un embrujo | Won | ||
| 2001 | Amores perros | Won | |
| 2011 | Biutiful | Won |
Circuit Community Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Nominated |
| 2006 | Babel | Nominated | |
| 2016 | Silence | Nominated |
Boston Society of Film Critics
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Runner-up |
Critics' Choice Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2020 | The Irishman | Best Cinematography | Nominated |
Camerimage
| Year | Film | Category | Result |
|---|---|---|---|
| 2000 | Amores Perros | Golden Frog | Won |
| 2004 | Alexander | Nominated | |
| Silver Frog | Won | ||
| 2006 | Babel | Main Competition Golden Frog | Nominated |
| 2007 | Lust, Caution | Nominated | |
| 2012 | Argo | Nominated | |
| Lana Del Rey: Blue Jeans | Best Cinematography in a Music Video | Nominated | |
| 2016 | Vinyl | Jury Award Best Pilot | Nominated |
| 2020 | The Irishman | Main Competition Golden Frog | Nominated |
Chicago Film Critics Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Won |
| 2006 | Babel | Nominated | |
| 2016 | Silence | Nominated |
Chlotrudis Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2004 | 21 Grams | Best Cinematography | Nominated |
Cinema Writers Circle Awards, Spain
| Year | Film | Category | Result |
|---|---|---|---|
| 2010 | Broken Embraces | Best Cinematography | Nominated |
CinEuphoria Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2012 | Biutiful | Best Cinematography | Nominated |
Dallas–Fort Worth Film Critics Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Won |
| 2006 | Babel | Runner-up Tied | |
| 2016 | Silence | Runner-up |
Dublin Film Critics' Circle
| Year | Film | Category | Result |
|---|---|---|---|
| 2019 | The Irishman | Best Cinematography | 6th Place |
Independent Spirit Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2008 | Lust, Caution | Best Cinematography | Nominated |
Florida Film Critics Circle
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Won |
Georgia Film Critics Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2017 | Silence | Best Cinematography | Nominated |
Golden Horse Film Festival and Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2007 | Lust, Caution | Best Cinematography | Nominated |
Goya Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2011 | Biutiful | Best Cinematography | Nominated |
Houston Film Critics Society
| Year | Film | Category | Result |
|---|---|---|---|
| 2020 | The Irishman | Best Cinematography | Nominated |
International Cinematographers' Film Festival Manaki Brothers
| Year | Film | Category | Result |
|---|---|---|---|
| 2008 | Lust, Caution | Golden Camera 300 | Won |
International Cinephile Society Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2006 | Brokeback Mountain | Best Cinematography | Runner-up Tied |
| 2017 | Silence | Best Cinematography | Runner-up |
International Online Cinema Awards (INOCA)
| Year | Film | Category | Result |
|---|---|---|---|
| 2006 | Brokeback Mountain | Best Cinematography | Nominated |
| 2007 | Babel | Nominated | |
| 2017 | Silence | Nominated |
Latino Entertainment Journalists Association Film Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2020 | The Irishman | Best Cinematography | Nominated |
National Society of Film Critics
| Year | Film | Category | Result |
|---|---|---|---|
| 2017 | Silence | Best Cinematography | Nominated |
North Texas Film Critics Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2016 | Brokeback Mountain | Best Cinematography | Won |
| 2019 | The Irishman | Nominated |
Online Film & Television Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2006 | Brokeback Mountain | Best Cinematography | Won |
| 2017 | Silence | Nominated |
Online Film Critics Society Award
| Year | Film | Category | Result |
|---|---|---|---|
| 2006 | Brokeback Mountain | Best Cinematography | Won |
| 2007 | Babel | Nominated | |
| 2020 | The Irishman | Nominated |
Phoenix Critics Circle
| Year | Film | Category | Result |
|---|---|---|---|
| 2019 | The Irishman | Best Cinematography | Nominated |
Phoenix Film Critics Society Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Won |
| 2016 | Silence | Nominated |
San Diego Film Critics Society
| Year | Film | Category | Result |
|---|---|---|---|
| 2019 | The Irishman | Best Cinematography | Nominated |
San Francisco Bay Area Film Critics Circle
| Year | Film | Category | Result |
|---|---|---|---|
| 2016 | Silence | Best Cinematography | Nominated |
San Sebastián International Film Festival
| Year | Film | Category | Result |
|---|---|---|---|
| 1998 | Un embrujo | Jury Prize for Best Cinematography | Won |
Satellite Awards
| Year | Film | Category | Result |
|---|---|---|---|
| 2019 | The Irishman | Best Cinematography | Nominated |
St. Louis Film Critics Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2005 | Brokeback Mountain | Best Cinematography | Nominated |
| 2006 | Babel | Nominated | |
| 2019 | The Irishman | Nominated |
Tribeca Film Festival
| Year | Film | Category | Result |
|---|---|---|---|
| 2013 | Likeness | Jury Award Best Cinematography in a Narrative Feature | Nominated |
Venice Film Festival
| Year | Film | Category | Result |
|---|---|---|---|
| 2007 | Lust, Caution | Golden Osella Best cinematography | Won |
Washington D.C. Area Film Critics Association
| Year | Film | Category | Result |
|---|---|---|---|
| 2019 | The Irishman | Best Cinematography | Nominated |