Introduction
Richard Lippold (May 3, 1915 Milwaukee, Wisconsin – August 22, 2002) was an Americansculptor, known for his geometric constructions using wire as a medium.
He studied at the University of Chicago, and graduated from the School of the Art Institute of Chicago in industrial design in 1937. Lippold worked as an industrial designer from 1937 to 1941. After he became a sculptor, Lippold taught atseveral universities, including Hunter College at the City University of New York, from 1952 to 1967.
The Lippold Foundation is laboriously maintaining his work. Howard Newman:
Lippold was an engineering genius, but we've been dealing with a piece that had reached the threshold of catastrophe,...People's mouths fall open when they see it going back up, like they're watching a spider spin a web of blazing gold,..."The more that goes up, the more exquisite it gets.
The 14th and 15th of John Cage's famous Sonatas and Interludes for prepared piano are subtitled Gemini - after the work of Richard Lippold.
Works
- Ad Astra, at the National Air and Space Museum in Washington, DC
- Aerial Act, at the Wadsworth Atheneum in Hartford, Connecticut
- Orpheus and Apollo, at Avery Fisher Hall at Lincoln Center in New York City,
- Radiant I, at the Inland Steel Building in Chicago, 1957
- Sun, at the Metropolitan Museum of Art in New York City, which includes more than two miles of gold wire
- World Tree, within the Walter Gropius-designed Harvard Graduate Center at Harvard Law School in Cambridge, Massachusetts.
- Fire Bird at the Segerstrom Center For The Arts in Costa Mesa, California
- Ex Stasis at Marquette University in Milwaukee, Wisconsin
- Wings of Welcome at the Hyatt Regency Milwaukee
- Encounter at Fairlane Town Center, Dearborn, Michigan (Currently put away in storage.)
- Flight at MetLife, New York, NY