Paris Bordone

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The basics

Quick facts

Intro

Italian artist

Known for

Perseus Armed by Mercury and Minerva

A.K.A.

Paris Bordon, Paris Paschalinus Bordone, Paris Bourdon, Paris Bordona, Paris Bordono, Paris Paschalinus Bordon, Paris Burdon, Paris Bordonne, Paris Bourbon, Paris Borsone, Paris Bourdone, Paris Bardone, Paris Bordonone, Paris Borzone, Paris Pardona, Paris Dorone, Paris, Paris Pardono, P. Bordon, Pâris Bordone, P. Bordone, Bordon, Bordonne, Bordono, Paris Pordono, d'oude Bordon, Bordoni, Bordone, P. Bourdone, Paris Bourdonne, Bordonone, Paride Bordone, bordone p., Paris Borden, Paris Bordoni, P. Bourbon, Parris Burdone, Paris bordona, P. Bourdon, Paris Boldon, Paris Bordene, Paris-Bordonne, Paris Sbordone, Bordone Paride

Gender:

Male

Places:

Italy

Is:

Painter

Work field:

Arts

Birth:

5 July 1500(Treviso, Italy)

Death:

19 January 1570(Venice, Italy)

Star sign:

Cancer

Genres:

Portrait

The details

Biography

Introduction

Paris Bordon (or Paris Paschalinus Bordone; 5 July 1500 – 19 January 1571) was an Italian painter of the Venetian Renaissance who, despite training with Titian, maintained a strand of Mannerist complexity and provincial vigor.

Biography

Bordone was born in Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone.

From the 1520s, we have works by Bordone, including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in the Pinacoteca di Brera. In 1525–26, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is also in the Pinacoteca di Brera.

In 1534–35, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of The Fisherman Presenting the Ring to Doge Gradenigo (Accademia). However, comparison between this latter painting and the near-contemporary, and structurally similar, Presentation of the Virgin reveals Bordone's limitations, his use of superior perspective which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian.

Bordone is at his best in his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.

Paris Bordone subsequently executed many important mural paintings in Venice, Treviso and Vicenza, all of which have perished. In 1538 he was invited to France by Francis I, at whose court he painted many portraits, though no trace of them is to be found in French collections, the two portraits at the Louvre being later acquisitions. On his return journey he also worked for the Fugger palace at Augsburg, but again the works have been lost.

Partial List of Works

Annunciation in the Musée des Beaux-Arts de Caen
Baptism of Christ in the National Gallery of Art, Washington, D.C.
Bathsheba Bathing, with an African Servant - The Walters Art Museum, Baltimore
Chess Players in Berlin
Daphnis and Chloe - Porczyński Gallery, Warsaw
Holy Family - Bridgewater House, Westminster
Madonna - Accademia di Belle Arti Tadini at Lovere
Mythological picture - the Galleria Borghese, Rome
Mythological picture - the Doria Pamphilj Gallery, Rome
The paintings in the Duomo of Treviso
Perseus Armed by Mercury and Minerva - Birmingham Museum of Art
A Portrait of a Lady- The National Gallery, London
Portrait of Giovanni Jacopo Caraglio - Wawel Castle, Kraków

Jupiter and Io
The Baptism of Christ, c. 1535–1540. Oil on canvas. National Gallery of Art, Washington, D.C.
Flora
Venus, Flora, Mars and Cupid (An Allegory), 1550s. Oil on Canvas. The Hermitage Museum.
Alvise Contarini
Venus and Mars with Cupid, 1559–1560. Doria Pamphilj Gallery

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Biography

Partial List of Works